TT-3077 - Pasquale Amato 1

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01) GERMANIA (Alberto Franchetti), Act II: Ascolta! Io morirņ! "Orsł, finiam!" 2:00
Pasquale Amato (Bar), (p) - Fonotipia X 62038 (mx. xPh 2413) - Milano, 04.02.1907

02) LA GIOCONDA (Amilcare Ponchielli), Act I: Enzo Grimaldo, principe di Santafior 5:28
Giovanni Zenatello (T), Pasquale Amato (Bar), (p)
Fonotipia X 62012, X 62013 - (mx. xPh 2414, xPh 2415) - Milano, 04.02.1907

03) UN BALLO IN MASCHERA (Giuseppe Verdi), Act I: Alla vita che t'arride 2:34
Pasquale Amato (Bar), (p) - Fonotipia X 62039 (mx. xPh 2438) - Milano, 08.02.1907

04) LA TRAVIATA (Giuseppe Verdi), Act II: Di Provenza il mar, il suol "Mio figlio!" 3:05
Pasquale Amato (Bar), (p) - Fonotipia X 62174 (mx. xPh 2440) - Milano, 08.02.1907

05) I PAGLIACCI (Ruggiero Leoncavallo), Prologo: Si puņ, si puņ? 4:04
Pasquale Amato (Bar), (p) - Fonotipia XX 74041 (mx. xxPh 2441) - Milano, 08.02.1907

06) ZAZĄ (Ruggiero Leoncavallo), Act IV: Zazą, piccola zingara 2:14
Pasquale Amato (Bar), (p) - Fonotipia X 62175 (mx. xPh 2510) - Milano, 18.03.1907

07) ZAZĄ (Ruggiero Leoncavallo), Act II: Buona Zazą, del mio buon tempo 1:50
Pasquale Amato (Bar), 'Odeon' (orch) - Fonotipia X 92008 (mx. xPh 2690) - Milano, 16.10.1907

08) ZAZĄ (Ruggiero Leoncavallo), Act IV: Zazą, piccola zingara 2:13
Pasquale Amato (Bar), 'Odeon' (orch) - Fonotipia X 92009 (mx. xPh 2691) - Milano, 16.10.1907

09) IL BARBIERE DI SIVIGLIA (Gioacchino Rossini), Act I: Largo al factotum della cittą 4:00
Pasquale Amato (Bar), Johannes Heidenreich (cnd), Staatsoper Berlin (orch)
Homocord B.8576 (mx. 51495) - Berlin, 09.03.1924

10) I PAGLIACCI (Ruggiero Leoncavallo), Prologo: Si puņ, si puņ? 4:00
Pasquale Amato (Bar), Johannes Heidenreich (cnd), Staatsoper Berlin (orch)
Homocord B.8577 (mx. 51496-1) - Berlin, 09.03.1924

11) HAMLET (Ambroise Thomas), Act II: O vin, dissipe la tristesse "O vin, discaccia la tristezza" 3:22
Pasquale Amato (Bar), Johannes Heidenreich (cnd), Staatsoper Berlin (orch)
Homocord B.8578 (mx. 51497) - Berlin, 09.03.1924

12) UN BALLO IN MASCHERA (Giuseppe Verdi), Act I: Alla vita che t'arride 2:36
Pasquale Amato (Bar), Johannes Heidenreich (cnd), Staatsoper Berlin (orch)
Homocord B.8576 (mx. 51549) - Berlin, 29.03.1924

13) RIGOLETTO (Giuseppe Verdi), Act I: Pari siamo! 3:34
Pasquale Amato (Bar), Johannes Heidenreich (cnd), Staatsoper Berlin (orch)
Homocord B.8579 (mx. 51548-1) - Berlin, 29.03.1924

14) RIGOLETTO (Giuseppe Verdi), Act II: Cortigiani, vil razza dannata 4:07
Pasquale Amato (Bar), Johannes Heidenreich (cnd), Staatsoper Berlin (orch)
Homocord B.8579 (mx. 51498-2) - Berlin, 25.03.1924

15) AIDA (Giuseppe Verdi), Act III: Rivedrai le foreste imbalsamate "Ciel! Mio padre!" 7:24
Mafalda Salvatini (S), Pasquale Amato (Bar), Johannes Heidenreich (cnd), Staatsoper Berlin (orch)
Homocord B.8494 (mx. 51539-1, 51540-1) - Berlin, 25.03.1924

16) L'AFRICAINE (Giacomo Meyerbeer), Act III: Adamastor, roi des vagues profondes "Adamastor, re dell'onde" 3:27
Pasquale Amato (Bar), Johannes Heidenreich (cnd), Staatsoper Berlin (orch)
Homocord B.8578 (mx. 51541-1) - Berlin, 25.03.1924

17) OTELLO (Giuseppe Verdi), Act II: Credo in un Dio crudel "Vanne; la tua meta gią vedo" 4:11
Pasquale Amato (Bar), Johannes Heidenreich (cnd), Staatsoper Berlin (orch)
Homocord B.8577 (mx. 51542) - Berlin, 25.03.1924


The ten Homocord matrices reproduced on this CD very probably represent the sum total of published Amato recordings on this label. Both the 1973 discography by The Record Collector and various LP and CD reissues (e.g. on Discophilia and Symposium) list different takes and dates, but all copies inspected are from the matrices remastered here. Also, the abovementioned reissues on modern media contain the same performances, even though some of the dates and take numbers listed on their covers differ from ours, which are given exactly as they appear on original master pressings.

One further Fonotipia recording (xPh 2509: "Buona Zazą" with piano accompaniment) was allocated a catalogue number (X 62178) and possibly issued. However, we were unable to find any copy of this recording.

 

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